Sustainable office interior design · Singapore
Infinite by Nature
Endless energy, inspired by the sun.
An elliptical timber drum opens to a lit centre — the sun — above a bronze counter set on a curve of dark stone.
The brief
The client develops and operates solar across Singapore and the region. For its Suntec office it asked Offix for a workplace that reads as what the company actually does — without putting a single solar panel on a wall.
Twelve spaces sit on one floor: reception, meeting rooms, a board room, director’s rooms, pantry, VIP lounge, open office, collaboration areas, secretary, legal, finance and a server room. They are arranged in three zones along a route that loops rather than ends. This is the scheme as presented, so every image here is a design visual rather than a photograph.
The concept
Endless energy,inspired by the sun
The sun is more than light. It is an eternal source of power, growth and renewal, and a reminder that energy is boundless when it is drawn from nature. The scheme takes that infinite cycle literally: a plan with no dead ends, and a workplace meant to be sustainable in spirit as much as in specification.
Daylight, cove lines and sun-shaped fittings do the shaping, so the brightest thing in each room is the thing that explains the business.
Curves, arches and organic partitions carry the plan. There is barely a square room on the floor.
The technology is present and recessive. It serves the room rather than announcing itself.
The five elements
Every zone is shaped by an element, and each element carries a colour and a job. The colour is doing the wayfinding rather than the decorating — it tells you what a space is for before you read a sign.
The design
Three zones, twelve spaces, one continuous route. These are the rooms the scheme turns on — what each has to do, and the single decision that makes it work.
Where a visitor lands — a bronze counter set on a curve of dark stone, with the open office visible past it rather than shut away behind a wall.
The timber drum overhead is an ellipse, not a circle, and its brass edge sweeps down past the counter to become the wall. One continuous line does the ceiling, the feature wall and the reception back: the loop the whole plan is built on, stated at the door.

Where most of the company sits — eighty workstations in three banks, with low acoustic screens and enclosed pods for calls that need a door.
Blue fins ripple across the ceiling above the desks, cut to the same looping outline as the floor plan. It is the calm end of the palette, and it marks the focus work without a single partition going up.

The floor's refresh point — a round marble table under a lit ceiling cove, with a full run of joinery along the wall behind it.
Green is the only colour on the floor allowed to take a whole room — the curved wall, the joinery and the chairs together, lit from a cove that repeats the circle of the table below. The palette does the wayfinding here, with nothing printed on a wall to explain it.

Where guests are received away from the counter: two curved sofas facing each other across a low stone table.
Deep red discs are recessed into the ceiling and repeated in the screen beyond, so the warmest colour in the scheme falls only where the most important conversations happen.

Fourteen at an oval table, with a banquette along one wall for the people who come to listen rather than to speak.
The ceiling is cut into an organic opening that reads as a skylight onto open sky, ringed by cove lines. Yellow carries the warmth — the banquette, the rug and the bronze table base — in an otherwise white room.

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Zone by zone, the way this one was drawn. Our sustainable office interior design work starts with commercial interior design, and runs straight through to office design and build.
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